Is Clap Your Hands Say Yeah! the prototype of how bands operate and music is created in the next decade? Their internet savvy and lack of label (in the US at least) makes you think that this model of self-publishing and promotion might just work. But CYHSY is a different beast than most bands. For starters, they make truly excellent and innovative music. People who like their music are willing to put some effort into finding it. This isn't the model with which Ashlee Simpson could succeed.
But I shouldn't get too involved in the economics of the music industry. I won't stray too far from the formula: concert reviews and bad pictures. I hope you agree that the picture on the side is bad. As for the concert review, I suggest you read my review of the last time I saw them. Having seen them before and feeling conflicted about their live show, I didn't exactly know what to expect. But apparently CYHSY reads Jealousy because this time around they kept the best, high-energy parts of their show and dropped the slow snoozers. Almost every song was fast and that allowed everyone to sway/dance/shake that ass during the show.
The best part of the show had to be the encore where they turned the Christmas lights on and played some favorites. They finished with Satan Said Dance. That really is a great finisher. It isn't anything particularly special other than being a rocker that everyone can sing along to. Putting it in the middle of a set would just be a waste an probably disrupt the flow of said set. But putting it at the end lets you leave the shithouse that is the Warfield with a good taste in your mouth. I didn't take a straw poll, but I think Danielle, Jon, and Jason (who saw the show with me) would agree.
As a postscript, I ponder how a band that owes its success to the internet doesn't have a single song to download on its website.
30 October 2006
29 October 2006
Thunderbirds Are Now! - Bottom of the Hill - 10/12/06
If you like live music (and I know you do!), you like Thunderbirds Are Now!. (As an aside, was I supposed to put a period after the exclamation point? I feel like all of this extra punctuation is making my third grade teacher spread the jam.) TAN! gives the best basic live show out there. Sure, bands like the Flaming Lips and Of Montreal can put on a good show, but it really is a lot of theatrics combined with the music. TAN! is just raw energy.
But when you've got a guy doing hand stands and the jumping-over-his-own-leg dance move, you know you've got something special. I've seen TAN! twice now, and they've killed both times. They have a new album out, which might not be quite as good as their last one, but still has many solid (and a few excellent) tracks on it.
The recipe for a TAN! show is 1) Start with a typical rock show 2) Increase the energy to as high as you've seen 3) Throw in a bunch of danceable beats 4) Get the audience involved by dancing in the audience and/or giving audience members tambourines 5) Have one band member walk that knife's edge of stage antics and real insanity. I think the only thing that could have made the show better is if there were more people there. The place was maybe half full. I don't understand that, but maybe the next time they come through town we can give them a better welcoming.
A big bonus is that these guys hail from Detroit. And the bass player graduated college with me (although I didn't know him then).
Thunderbirds Are Now! - Eat This City
Thunderbirds Are Now! - Eat This City (Video)
But when you've got a guy doing hand stands and the jumping-over-his-own-leg dance move, you know you've got something special. I've seen TAN! twice now, and they've killed both times. They have a new album out, which might not be quite as good as their last one, but still has many solid (and a few excellent) tracks on it.
The recipe for a TAN! show is 1) Start with a typical rock show 2) Increase the energy to as high as you've seen 3) Throw in a bunch of danceable beats 4) Get the audience involved by dancing in the audience and/or giving audience members tambourines 5) Have one band member walk that knife's edge of stage antics and real insanity. I think the only thing that could have made the show better is if there were more people there. The place was maybe half full. I don't understand that, but maybe the next time they come through town we can give them a better welcoming.
A big bonus is that these guys hail from Detroit. And the bass player graduated college with me (although I didn't know him then).
Thunderbirds Are Now! - Eat This City
Thunderbirds Are Now! - Eat This City (Video)
22 October 2006
Cold War Kids - Mezzanine - 10/7/06
The Cold War Kids are a unique band. Their sound is hard to explain. I feel like they're a jam band without jamming. They're a blues/soul band from LA. Really the best thing to say is that the music is strong and pierces through you, like if Bruce Springsteen wrote gospel music.
The kids are true performers too. I think there are some people who understand that being in a band is a job and you have to work when you're on stage. It doesn't mean you have to be mechanical, but you need to put effort into it. CWK understands this. Between the emotional singing, slightly odd setup (piano facing the wall, loose cymbal on a wooden box), and requisite dancing, there was always something that caught your eye and kept you involved.
I went with Amy, Vania, Brittany, Melissa, and Melissa's brother (and his friends). Melissa apparently grew up with the band members and went to church with them. Hopefully that means that no matter how big they get, I'll always have a ticket.
Cold War Kids - Hospital Beds
Cold War Kids - Tell Me In The Morning
Cold War Kids - The Soloist In The Living Room
Cold War Kids - Heavy Boots
The kids are true performers too. I think there are some people who understand that being in a band is a job and you have to work when you're on stage. It doesn't mean you have to be mechanical, but you need to put effort into it. CWK understands this. Between the emotional singing, slightly odd setup (piano facing the wall, loose cymbal on a wooden box), and requisite dancing, there was always something that caught your eye and kept you involved.
I went with Amy, Vania, Brittany, Melissa, and Melissa's brother (and his friends). Melissa apparently grew up with the band members and went to church with them. Hopefully that means that no matter how big they get, I'll always have a ticket.
Cold War Kids - Hospital Beds
Cold War Kids - Tell Me In The Morning
Cold War Kids - The Soloist In The Living Room
Cold War Kids - Heavy Boots
18 October 2006
We Are Scientists / Art Brut / Spinto Band - Fillmore - 10/2/06
Finally a show that I wanted to see everyone performing. As anyone who goes to shows knows, you typically get some band you've never heard of opening for the band you're going to see. This can be a good thing when you discover someone new. But more likely it's just something you have to wait through. But when three bands you want to see play on the same stage, you're just getting more bang for your buck. And that's my first concern when it comes to concerts: value.
Performing at the Fillmore was The Spinto Band (who I saw twice in March), Art Brut, and We Are Scientists. I've been a fan of The Spinto Band for about a year now. I first heard Art Brut through Rock Club (a little mix tape exchange I'm a part of), and have heard through friends that they put on a good show. Nora at I Rock, I Roll pumped the band, which is where I first heard Lousy Reputation, and enticed me to buy the album. And after reading YANP's enthusiastic review of one of their shows, I was hyped.
I showed up at the show with Susan and met up with John, Ian, Marissa, and a few others. I also ran into this couple that I've seen at a bunch of shows, including the last Spinto Band show. The crowd seemed to like Spinto Band okay, and although I thought they were really good, it wasn't quite the performance as the last time I saw them. Maybe it was the crowd didn't know them or because the Fillmore stage is so high, but it just wasn't like Cafe du Nord. Art Brut, however, had no problem with the crowd or the stage. This was a commanding performance, and you had no choice but compliance. They were high energy during the songs and funny between, saying stuff like
"If Jay-Z were here, he'd say 'Eddie, you've got 99 problems, but the bitch ain't one.' And I'd say 'Jay-Z, I don't appreciate your misogynistic words, but you are correct.'"
Stuff like that makes people into fans. That and jumping into the crowd to sing a song. And proclaiming yourself and the rest of your tour "top of the pops" several times.
We Are Scientists are a really entertaining band. They won't change your life; their music just isn't that introspective or complicated. But the music is fun and the banter is pretty good. I'll try to recount one of the many sessions
Keith: I know Eddie told you that he got his wisdom teeth pulled a week ago and now because of the medicine he's taking this is the first sober show Art Brut has done in years. And he says it's the "real" Art Brut. But let me tell you something, a few months ago we tried a sober show, and it sucked!
Chris: That's our guarantee: always drunk.
Keith (lifting his glass): I'll drink to that.
Chris (lifting his glass): It's all a lie. This is non-alcoholic. That was an unexpected twist to that anecdote.
The real downside to We Are Scientists is that their catalog is kind of small. But maybe after their next release, they'll have the depth necessary to really be more about the music and less about the banter.
We Are Scientists - Inaction
Performing at the Fillmore was The Spinto Band (who I saw twice in March), Art Brut, and We Are Scientists. I've been a fan of The Spinto Band for about a year now. I first heard Art Brut through Rock Club (a little mix tape exchange I'm a part of), and have heard through friends that they put on a good show. Nora at I Rock, I Roll pumped the band, which is where I first heard Lousy Reputation, and enticed me to buy the album. And after reading YANP's enthusiastic review of one of their shows, I was hyped.
I showed up at the show with Susan and met up with John, Ian, Marissa, and a few others. I also ran into this couple that I've seen at a bunch of shows, including the last Spinto Band show. The crowd seemed to like Spinto Band okay, and although I thought they were really good, it wasn't quite the performance as the last time I saw them. Maybe it was the crowd didn't know them or because the Fillmore stage is so high, but it just wasn't like Cafe du Nord. Art Brut, however, had no problem with the crowd or the stage. This was a commanding performance, and you had no choice but compliance. They were high energy during the songs and funny between, saying stuff like
"If Jay-Z were here, he'd say 'Eddie, you've got 99 problems, but the bitch ain't one.' And I'd say 'Jay-Z, I don't appreciate your misogynistic words, but you are correct.'"
Stuff like that makes people into fans. That and jumping into the crowd to sing a song. And proclaiming yourself and the rest of your tour "top of the pops" several times.
We Are Scientists are a really entertaining band. They won't change your life; their music just isn't that introspective or complicated. But the music is fun and the banter is pretty good. I'll try to recount one of the many sessions
Keith: I know Eddie told you that he got his wisdom teeth pulled a week ago and now because of the medicine he's taking this is the first sober show Art Brut has done in years. And he says it's the "real" Art Brut. But let me tell you something, a few months ago we tried a sober show, and it sucked!
Chris: That's our guarantee: always drunk.
Keith (lifting his glass): I'll drink to that.
Chris (lifting his glass): It's all a lie. This is non-alcoholic. That was an unexpected twist to that anecdote.
The real downside to We Are Scientists is that their catalog is kind of small. But maybe after their next release, they'll have the depth necessary to really be more about the music and less about the banter.
We Are Scientists - Inaction
08 October 2006
Andrew Bird - Great American Music Hall - 9/22/06
Andrew Bird is simply amazing. Then why did I not stay for the encore?
Ben, Jason, Annie, Danielle, and I met up at Great American to see the creator of my favorite album of last year. The first thing you notice when hearing him is that he has complete control over ever sound that emanates from his body. His whistling is incredible. At first I didn't even think it was real, it came so effortlessly.
And despite his mastery of stringed instruments, I was still disappointed by the show. The place was really hot, so being physically uncomfortable didn't help anything. But the big issue is that he played mostly new material. I hadn't heard this stuff and although it sounded pretty good, I didn't appreciate it the same way I did when he sang the songs I've listened to a hundred times, dissecting the lyrics, and hearing the subtle inflections in his voice. And the smaller issue is that when he sang his "classics," he sang them erratically, as if the album versions bored him so much that he wished he didn't have to sing them at all.
So after he finished his set, my group decided to take off, leaving the sweaty room for some party. I'm sure the encore was everything I was missing during the normal set, but I had had enough.
As one last note, Andrew Bird can actually use looping pedals, unlike Feist who sucks at looping even more than she sucks at playing guitar.
Andrew Bird - A Nervous Tic Motion Of The Head To The Left
Listen to the entire album here
Ben, Jason, Annie, Danielle, and I met up at Great American to see the creator of my favorite album of last year. The first thing you notice when hearing him is that he has complete control over ever sound that emanates from his body. His whistling is incredible. At first I didn't even think it was real, it came so effortlessly.
And despite his mastery of stringed instruments, I was still disappointed by the show. The place was really hot, so being physically uncomfortable didn't help anything. But the big issue is that he played mostly new material. I hadn't heard this stuff and although it sounded pretty good, I didn't appreciate it the same way I did when he sang the songs I've listened to a hundred times, dissecting the lyrics, and hearing the subtle inflections in his voice. And the smaller issue is that when he sang his "classics," he sang them erratically, as if the album versions bored him so much that he wished he didn't have to sing them at all.
So after he finished his set, my group decided to take off, leaving the sweaty room for some party. I'm sure the encore was everything I was missing during the normal set, but I had had enough.
As one last note, Andrew Bird can actually use looping pedals, unlike Feist who sucks at looping even more than she sucks at playing guitar.
Andrew Bird - A Nervous Tic Motion Of The Head To The Left
Listen to the entire album here
05 October 2006
Ratatat - Sproul Plaza - 9/19/06
Thank you Superb! They keep bringing great concerts to Berkeley. I've seen Ozma (twice), Matt Sharp, and a bunch of other concerts for free or cheap because of them (and they're bringing Sufjan to Berkeley next week). This time I saw Ratatat for free. The free shows are out in Sproul Plaza where students can meander down for a quick glance.
Since I saw Ratatat a year or two ago and left the show early (there stuff is good to listen to, but in a live show, with no vocals, it just doesn't do it for me) and since I got a free ticket to an early screening of Science of Sleep, I left after only a few songs.
They have a new album out, and it seems to be strong from the tracks I've heard. But that doesn't get away from the fact that in concert they just sort of noodle around on guitars while swaying back and forth.
What ever happened to these guys being the next big rap producers?
Ratatat - Seventeen Years
Missy Eliot (Ratatat Remix) - Hot
Since I saw Ratatat a year or two ago and left the show early (there stuff is good to listen to, but in a live show, with no vocals, it just doesn't do it for me) and since I got a free ticket to an early screening of Science of Sleep, I left after only a few songs.
They have a new album out, and it seems to be strong from the tracks I've heard. But that doesn't get away from the fact that in concert they just sort of noodle around on guitars while swaying back and forth.
What ever happened to these guys being the next big rap producers?
Ratatat - Seventeen Years
Missy Eliot (Ratatat Remix) - Hot
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